Among the young generation performers, Clark Garvey distinguished himself as Mary’s invalid cousin, bad-tempered Colin Craven. The role is endearingly comical, and his triumph over the adults in his world, not all of whom are exactly well-intentioned, is very satisfying.
The leaven in the dough of the play is Martha, the chambermaid from Yorkshire who encourages the children to explore their world and to be happy. Amy Jakiel is marvelous, playing the role with affable exuberance.
Joe Russi plays Martha’s brother Dickon, a youthful presence, but not a child. Having previously seen Russi as Emcee in “Cabaret” and as “Angel” in “Rent,” I checked the program to be sure I was seeing the same actor. He is convincingly transformed and entirely charismatic in the role of Mary’s playful co-conspirator.
Louis Colaiacovo is excellent as sad and conflicted Uncle Archibald, a man who is encouraged in his impulse to deny his better instincts. John Panepinto is similarly good as his brother, Dr. Neville Craven, a man of dubious motivation. Their rendition of “Lily’s Eyes” is a highlight.
Anne DeFazio as Mrs. Medlock, and John Kreuzer as the gardener, Ben Weatherstaff, give wonderfully enjoyable performances. She is the spooky ill-tempered housekeeper of many a gothic novel. He is the humble and world-weary but wise gardener who sees right past her forbidding exterior.
Kelly Copps is perfection as the ghost of Lily, a comforting maternal presence who sings angelically and moves ethereally.
Jenn Stafford, as always, milks every comic nuance from her character as Mrs. Winthrop, a school mistress who proves to be less clever than a fifth-grader.
The first-rate ensemble, includes Bob Mazierski and Leah Burst as the ghosts of Mary’s ill-fated parents, along with Anthony Lazzaro, Jenny Marie McCabe, Charles McGregor, Collin McKee and Maria Pedro.
Reductive newspaper star ratings of plays might have discouraged many from reading this review to the end, but for anyone still reading, understand that four stars, in this instance, means superb performances in a fully realized and artfully staged production of a lovely and moving play.
Anthony Chase for THE BUFFALO NEWS